dBx Acoustics

The Sound Of… Death?

At a networking event recently I met an undertaker.  I have to admit that although nobody at networking is ever irrelevant, as I introduced myself to him I did say “I can’t imagine you’d have much need for acoustic advice”.

Well he pretty quickly set me straight – and got me thinking too, about areas where good acoustic conditions are actually vitally important to both the functioning and ambience of a space.  It’s more likely that you will comment on how poor the acoustics of a space are than how good – if people like me do our job well you probably won’t realize we were ever there.

Hopefully at this stage you are a little curious as to what possible need the dead could have for my services. You’re right – they don’t – but acoustics for the living as part of their grieving experience can be critical.

My undertaker friend is in the process of designing his “dream chapel” and a big part of this for him is the ambience.  He wants to create an atmosphere of calm, peace and warmth.  Acoustically this means cutting out the noise of the outside world – cars, planes etc.  But then within the building, the room acoustics must help to calm people, to be peaceful – I translate this as meaning spaces shouldn’t be too reverberant, that footsteps should be muffled, and that you don’t hear doors slamming, chairs scraping etc.

Privacy was also something that started to seem obvious once I thought about it.  In a scenario where you may have more than one chapel of rest, sound insulation between spaces is crucial. People need to be able to grieve in privacy, without being disturbed or worrying that they are causing any disturbance.

My thinking of this expanded even further when I was approached by Green Acres Woodland Burials to review their proposals for a site near Liverpool.  They start on site at the end of the month so the proposals are well developed, but they haven’t had an acoustic consultant involved.

The basic premise of the scheme is to have two buildings in a wooded valley far from traffic and other people.  One building is a mixed admin and ceremonial space, and the other is a standalone “Woodland Hall”.  Both the ceremonial space and Hall are designed along similar lines – tall, timber spaces with a fully glazed façade looking out over the woodland as people pay their respects to the deceased in whichever way they see fit.  The spaces then also double up as function rooms for a wake.

I’m really excited about getting my teeth into these; ultimately it’s a bit like designing a lecture theatre in that you want speech to spread as evenly and naturally as possible.  But it’s something more that you might not care so much about at Uni or College – that feeling of tranquility. Something quite intangible which the soundscape is a fundamental part of.

Incidentally, although the undertaker and I didn’t strike a deal, I think he was well on the way to winning a contract with a well known bingo hall by the end of the meeting. And I may try to negotiate a funeral discount as part of my fee!

dBx helps boost productivity in co-working space

As the workplace evolves, more and more people are working flexibly – whether that be late at night, from a sun terrace in Italy, or in a specially designed co-working space.

Clockwise provide the latter – contemporary private offices and shared workspace with flexible membership plans. With sites in Belfast, Edinburgh and Glasgow, we were delighted to be asked to work on their “new kid on the dock” at the iconic Edward Pavilion on Liverpool’s world-famous Albert Dock.

Appointed by international construction company Ardmac in 2018 and working alongside architects 74, we were asked to help with specifying partitions between the workspaces. Sound insulation is very important for bustling co-working spaces, helping to provide settings that support different activities, such as having private conversations, focused/individual work and collaborative sessions.

We assisted the partition specification and detailing to maintain sound insulation between different workspaces while ensuring we didn’t impact the fabric of the building, which is a 19th century warehouse with preserved original features, including cast iron columns, Victorian brickwork and barrel vaulted ceilings.

We also worked on building services noise control, particularly on the upper floor, which features air handling units sitting on plant decks suspended within the open plan office space.

A historic building on a historic site, we’re proud to have worked on this challenging and exciting project.

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